the soul's sphere

              Some prisoned moon in steep cloud-fastnesses,-
                Throned queen and thralled; some dying sun whose
                    pyre
                Blazed with momentous memorable fire;-
              Who hath not yearned and fed his heart with these?
              Who, sleepless, hath not anguished to appease
                Tragical shadow's realm of sound and sight
                Conjectured in the lamentable night?.....

            Lo! the soul's sphere of infinite images!
               

              What sense shall count them?  Whether it forecast
                The rose-winged hours that flutter in the van
                Of Love's unquestioning unrevealed span,-
              Visions of golden futures: or that last
              Wild pageant of the accumulated past
                That clangs and flashes for a drowning man.


              -rosetti



               

                         Might they perhaps be
                         the first blossoms of springtime-
                         those waves bursting forth
                         through each crevice in the ice
                         melting in the valley breeze?
                     
              - Minamoto Masazumi


               Manyoshu Poetry
              The Manyoshu was compiled around 850 A.D., and includes works by all classes of people. The compilers
              of this collection were able to draw from all the previously written waka. Of the three collections, The Manyoshu has the distinction of featuring longer poems, and a looser style. It has a stronger presence of Shinto than the other works, and is comprised mainly of poems about nature. More than the others, there seems to be many puns and outright humor and good-naturedness in the poetry, making it easier and more enjoyable to read. 
               Kokinshu Poetry
              The Kokinshu followed relatively soon after, being compiled around 905 A.D. The form is more rigid, and comprised almost entirely of short poems. Since it was an Imperial collection, there was more care taken as far as order and organization. It also seems that there were more elite members of society represented in the work. Almost every poem is by a Lady, Prince, or Monk. It doesn't seem to be the work of the workiing class. There were some very separate themes in the Kokinshu,
              which make up one of its more prominent qualities. There are whole sections devoted to travel, the seasons, and love, for
              example. There were also references to earlier works mentioned in it.
               Shinkokinshu Poetry
              The Shinkokinshu followed quite some time after the first two collections, compiled in 1205 A.D. This covered quite a span of time to supply poems to this collection, but as has been noticed, this group contained many poems that have been called
              substandard. This was done in order to add smooth sequence connections and rhythm. Though they were called substandard, I think it is important to remember that ALL the literature of Western civilization writted between 905 and 1205 would scarcely fill a volume. One thing that difinitely categorizeds the Shinkokinshu is the meticulous organization that was employed in it compilation. The finest literary consultants must have been put on the job of sorting out the thousands of poems that were eligible for inclusion. 

              You can find more Japanese Poetry where these where found
              The Japanese Poetry Page